The following Wednesday, Kanade came to the studio. This was unusual. Kanade did not usually come to the painting building — his world was the music building, the composition rooms on the third floor with their pianos and their soundproofing and the particular smell of rosin and old wood that accumulated in corridors where musicians walked every day. The painting studio was a fifteen-minute walk from the music building. Kanade had never, in the two and a half years since we had both arrived at ...
A glimpse of what's next
Next in Chapter 16: Hasumi shows Kiryu the prints he made at fifteen — before he learned to be safe.
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